the picnic under the tree

Posted on December 7th, by dcbond in writing. No Comments

These are the things I know: we made something outside and brought the outside/ness inside; we gathered the journey to a place inside ourselves and transported that sense, a sense of gathering and knotting together by sharing food and stories; a sense of play and history by mapping pathways with video, photos and gestures. We do not have the ability to rehearse what we are going to do so it is not until it is up and running that I see what it is doing. We make choices from past experiences as to what something can do; we make agreements about what we will do; we chose how we would place it in the space (I am not sure the placement will work for the audience) and we have a brief discussion on sequence. We use crafted choices and moments … Read More »

Land, Dance

Posted on December 7th, by dcbond in writing. No Comments

This practice involves looking at relationships to wilderness through movement and vocal practices on and within landscape. Living directly in a particular land and recording the practices in that place inside that season, a relationship is created to that location and will be recorded with camera, microphone, paper, water, earth and body.

I am interested in how the body loses or changes time while working in wild and urban spaces.  How does a human in nature impose temporality on that place? This human temporality is another way of understanding a different colonialism; you impose your timeframe on a landscape and deprive it of its own. But is the ecology that results just for our ears/eyes/body?

Inside a body’s relationship to the environment is a different nonhuman relationship to wilderness. What parts or aspects or dimensions of the body are being engaged when in these … Read More »

The Forgotten Body Remembers

Posted on December 5th, by dcbond in writing. No Comments


The forgotten body remembers is a moevement based practice that explores embodied knowing: tacit and inate. This work draws from a particular set of research questions about our relationship with landscape, attempting to understand and interpret through a knowledge medium – the body – that creates a different set of insights on human-non/human interaction.

How does body memory work? How do we accumulate and access memory in our body? As a practice I create scores that allow for accumulated inate knowledge to be accessed and performed. We, as audience participants, witness the unfolding of heritage buried in the body.

What season effects the body in what ways? Winter produces a slower metabolic process in the body, an exploration of fallowness; the autumn is the time of great seeding and decay, and the body is preparing and dying simultaneously; in spring there … Read More »

red as seen through the eyes of canaries at dusk

Posted on December 4th, by dcbond in Butoh, Dance. No Comments